Photo: "The worse they fell"
For a long time, the legacy of the Wild West and the Cowboys has been whitewashed in the movie, and actors like John Wayne or Clint Eastwood have acted as spokespersons for this genre. But this is not historically accurate. In fact, experts estimate that more than a quarter of cowboys in that era were black. African-American historian William Loren Katz said: "After the Civil War, cowboys were one of the few people of color who did not want to be elevator operators, delivery men, or other similar occupations. One of his work. "There are several films focusing on the black narrative of Western stories. One of the earliest manifestations of black cowboys was in the miniseries "The Lonely Dove" based on Larry McMurtry's novel in 1989. In 1993, the Western movie "Posse" was released, which was an exception in the status quo of almost all black actors.
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It is not only white people who are expanding westward, but also a few iconic black cowboys. How does it feel that they are still brand new? In the upcoming movie "The Difficulties They Fall", most black actors (and a star-studded actor) tell a classic cowboy revenge story. Although the story itself is fictitious, many characters are based on real characters. The film premiered in theaters on October 22, and began airing on Netflix on November 3. Indie Wire stated, “The idea of making two rival factions of African-American outlaws into a straightforward Western shouldn’t require any imagination. This is not “Hamilton”.”
"The Harder They Fall" is a story about revenge. As a young boy, Nat Love's parents were mercilessly killed by Rufus Barker and his gang in front of him. Buck carved a cross on Love's forehead, but let him live. Since then, Love (Jonathan Majors) has become a notorious gangster. However, he only steals from other thieves. In order to avenge his family, except for Buck who was in prison, he killed all the members of the gang that killed his family. When news broke that Buck (Idris Elba) was released, Love rounded up his gang, including lover Stagecoach (Zazi Bitts) and grumpy Bill Pique Te (Eddie Gessage), Jim Beckworth (RJ Cyler) and Kufi (Daniel Dedwiller). He plans to hunt down his old enemy and kill him.
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However, Buck has his own ambitions, hoping to create a utopia for the other blacks in Redwood Town (a small town dominated by blacks). "Elba's half-closed eyelids convey more information than most actors use the whole body to convey, and he has provided enough top serve in every shot, let us continue to guess," Indie Wire said. Buck also has his own trustworthy team, including the "treacherous" Trudy Smith (Regina Gold) and Cherokee Bill (Rakis Steinfeld). It's just time for these two gangs to confront each other head-on. problem. .
Buck has strict ethics, which makes him an interesting and hierarchical opponent in the story. He wanted black people to have a safe place, but he did so with force and at the cost of these people’s economy. The deadline read: "There is a lot to say about capitalism and what it looks like in the micro-communities of people of color, under the guise of "helping each other." Buck understands that the cycle of violence will one day haunt him again, but he There is some tendency to retaliate, and there are some casualties."
The women in the movie are also amazing. They maintain their own style and almost completely erase them. Another aspect of the story makes it original. Not only are cowgirls, but they also play an important role in the story; they are equally dangerous and frightening, not just as substitutes or troubled girls. Director and co-screenwriter Jeymes Samuel said in an interview: "The strongest person I have encountered in my life is a black woman. If you remove this from the narrative, at the basic root level, you have actually destroyed the booty. . If you just obey the truth, you can have more." Zazie Beetz is the best in the film, especially her role is fascinating. She is best known for her role as Vanessa in "Atlanta", which Stanfield also played. King is equally breathtaking in the role of Trudy, she is a stubborn badass. Every scene of Mary and Trudy makes it impossible to look away.
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Indeed, all the performances in the movie are great. Majors created a charismatic, funny and humorous protagonist, while RJ Cyler brought some relaxed and humorous moments. I will not comment on Idris Elba's performance in two (two!) cowboy films in the past few months. It feels more than most cowboy movies, but I digress.
As a director and writer, Samuel is relatively new, but he is a well-known musician, and another nickname is the Bullitts. His first film was a collaboration with another western film "Death by Daylight" released in 2013. He also served as the executive music consultant for the movie "The Great Gatsby" and produced the soundtrack with Jay-Z. The two continue to work together, and Jay-Z is now one of the producers of the film. Boas Yakin is another screenwriter of this movie and is famous for other works such as "Now You See Me".
According to Variety, Samuel has always admired the Old West and has been studying it since he was a child, especially the history related to non-white history. He said: "Historically, the problem is often that we see a very narrow view of Westerners. I have known all about Doris Day's "Windy City" since I was a child. Words, starting with "Calamity Jane" (Calamity Jane). But I have never learned anything about Stagecoach Mary or Gertrude Smith.... I have never been to all these amazing people of color. Any understanding." This film has received positive reviews and has received a collective tribute to the Gotham Academy of Film and Media Gotham Award. Samuel’s influence as a musician also had an impact on the soundtrack of the movie, with new songs from Ms. Laurin Hill, Alice Smith, and Samuel’s brother Seal.
The soundtrack of this movie is very interesting, and the way it is used throughout the film is also very interesting; sound editing has a huge impact on tone and style. Photography is also very interesting, you can take creative and unique shots. For this movie, collage and play collage are very important. "In the context of film and television, [pastiche] is a film installation that directly imitates the photography or scene work of another filmmaker by directly imitating iconic moments in another film or television show," No Film School said. Many parts of this movie feel like an ode to great Italian westerns, but there are also conflicts between modernity and uniqueness that make it particularly interesting.
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Almost all the characters in the film are based on humans living in real life in different periods of the 19th century; Rufus Barker, Nat Love, "treacherous" Trudy Smith, stagecoach Mary Phil Ziz, Cherokee Bill, and Bass Reeves (Delroy Lindo) are all true volunteer police officers, cowboys, and criminals. Although they probably never met, the opening preamble reads: "Although the events of this story are fictitious... these. People. Exist."
Nat Love is a real man, and his story is slightly different from the narrative here. In real life, Love is a freed slave who turns into a cowboy, and even wrote a memoir about his life called "Deadwood Dick". Black cowboys are still subject to great discrimination, such as being barred from entering restaurants or hotels. But there is a kind of friendship in their community. When Samuel tells this story, it is important to understand that this is the history of revisionism, not an alternative history. This is not a distortion of genre or fantasy, but a story that has not been told or celebrated, in the realm of "shameless bastards". Like Quentin Tarantino, Samuel used his creative freedom by adding visual impact when telling this story, and in many ways, I think this gave him the credibility of the director. "Although the real Cherokee Bill may never call any of his victims a "jerk", and the real stagecoach Mary is so busy delivering mail with a loaded shotgun under each arm, so much so that she never has The shining R&B slow jam movies sang in the brothels of China. This occasional prosperity of the 21st century can bring the past into the present more than the present. They are accents, not asterisks,” said Indie Wire .
The modernity of the soundtrack, the visual effects, and the Avengers-style gathering of iconic black characters have completely changed the genre. The public does not need another Clint Eastwood Cowboy movie, but they do need more Regina King kicks.
Starring: Jonathan Majors Zazie Beets Delroy Lindo LaKeith Stanfield Idris Elba Regina King Deon Cole Edi Gathegi Danielle Deadwyler
Screenwriter: James Samuel / Boaz Yakin
Producers: Lawrence Bender, Sean Carter, James Lassiter, James Samuel
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Kelly is a writer obsessed with entertainment, especially in movies and TV. Her screenwriting background often allows her to focus on dialogue and character development. Although she likes to look at new materials critically, she is easily entertained and laughs quickly. The selfless dedication of Hollywood insiders to journalism is something she cherishes, as well as their dedication to meaningful performance and substantive storytelling. Regardless of the format, she likes to find a balance between relevance and artistry.
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